Ohio Today Magazine Interview

What an honor it was when someone from the Ohio University communications department called and asked to interview me about a few images they curated from my website!  Their Visual Communications program is well known in the country, and I highly respect their educational offerings in this field of study.

When I attended Ohio University, I wanted to be a Photojournalism major but my father did not permit it for various reasons. Having them initiate this discussion and sanction my work is a long held wish come true.

Listen to the interview here.

Storm Large, Oregon Zoo, Portland, Oregon for 1859 Magazine

From Oregon to Uganda: Goat Milk Soap-Making

“This soap gift was made from the goat’s milk?” she asks with a surprised look in her eyes.

“Yes!” I reply, and go on to tell her about the amazing homesteaders who made the soap and also live in the same valley as I do near Spray, Oregon.

“Well, we must learn how to do this. And very soon!” she exclaims, her voice brimming over with excitement.

And thus started the path of connecting goat milk soap-making in Oregon to a small village in Uganda.

This December, a small team will travel to Uganda to bring goat milk soap-making, inspired by  Oregon homesteaders, to the small village of Soroti. Women who are survivors of fistula, many who have been shunned by their villages, must now learn small business skills in order to make a living and support themselves.

Already these women have learned sewing, bread and jewelry-making through the reintegration program coordinated by Terrewode, a local Ugandan organization. Its founder, Alice Emasu, grew up in the remote area her organization serves, studied at Washington University in the United States, and returned home to provide services for woman whose child birth injuries have been treated by a local surgeon.

Now these survivors will be able to add soap-making to their skill set.

It is surprisingly difficult to find soap in Africa, and when it is found, it is usually harsh to the skin. Goat milk soap, made from locally found oils such as palm and shea, will be a welcomed commodity for many. We expect that the demand for this kind of soap will provide excellent income for the women when they sell it at markets. It will also increase hygiene levels since the soap will be attractive to use.

In addition, Terrewode will also purchase the soap from the women so that it can be sold on a wider level so the income can support the organization’s programs.

This project has struck a chord with several Oregonians, and the rally for these women is astonishing. Oregon State University has assigned engineering students to design easy-to-use supplies (and has received an International Development Innovation Network Grant for the project), the University of Oregon will be handling financial planning, designer Dardi Troen, and film-maker Zach Krahmer and I have signed on to assist with training, packaging and documenting the process for future growth considerations. Bonnie Ruder, founder of the Uganda Fistula Fund, received an Evans Family Fellowship grant to enable her to assist with implementation follow-up.

The first phase of the project will be a volunteer pilot run where we will work with local materials and iron out any process obstacles while relaying much needed data to the university engineers and financial advisers who are already working in this area of Uganda.

We cannot do this work alone, and we are seeking support for this pilot. Donations will assist with transportation and supplies, and can be sent through Uganda Fistula Fund, where 100% of your donation is tax deductible and will be directed toward this project. Please indicate “SOAP PROJECT” when you make your donation. 

We also are planning a very fun fundraiser!  Details are:

Darcelle’s XV Showplace

208 NW 3rd Avenue, Portland, OR

Friday, October 30, 2015

6-7:30pm (doors open at 5:30pm – come early to get a seat!)

 

Follow along with our trial run in December and January via my Facebook and Instagram updates. We appreciate all interest and support of this project!

 

Ugandan women learn how to sew

Ugandan women learn how to sew at Terrewode Integration Center.

Ugandan Market

Soon, fistula survivors will be able to include goat milk soap with the goods they sell at market. 

 

The Wind’s Whim

As I was going through some things to give away in an attempt to become more mobile and lighten my footprint, I came across a portrait of Kurt Cobain printed wall size on a piece of silk. This image was one of my favorite portraits of all time. His angst could easily be seen in his eyes, and his hair fell just in the right spots to solicit a “god, he is handsome” comment when people looked into his larger than life-size soulful eyes.

Many a day did I look at this lovely item and wonder how the photographer felt as s/he captured this image, and how Kurt felt at this time to be so sought after and his privacy so frequently invaded and tampered with. I loved that the image had been printed in Italy, on a fine piece of silk. I had visions of printing some of my own portraits on this same kind of silk and hanging them under the rafters of the Burnside Bridge next to my studio, creating a pop-up outdoor exhibit, with faces freely flowing here and there per the wind ’s whim.

Really? Do I need to keep this now? What if someone else loves Kurt Cobain’s image more than I do? I turned to my computer and posted an image of the treasure on Facebook and asked if anyone wanted it. The first person to respond was my friend Ankitt, a guide I met in India on a Mercy Corps donor trip when I first landed in New Delhi almost ten years ago. I instantly felt good about giving this to him and after asking for his address, I placed it in the post to him.

This action sparked a flow of what I am referring to simply as the “Give Away Project”. As my day moves along, if I see something that is valuable to me, but it is not getting the love or use or attention it deserves, why not post it to the friendship universe and see who would like it? For free. No expectations for anything in return.

This process has been incredibly joyful. I love to see the random surprise of who wants what. From professional camera gear to red hot high heels to leather postal bags, there goes pieces of me and I am thrilled to discover who will be the new recipient.

I have had numerous calls, messages and texts from concerned friends and family asking if I was ok. Some people thought I was planning to kill myself. Others thought I was moving to Africa full-time. Some knew exactly what I was doing right away and applauded the effort.

What does it truly mean to give something up? To grieve its loss, to know you might never see the item or person again? I often wonder why we hold on to things, and even more so to people: do we hold on more tightly when someone wants to grow? Does the act of holding on to things prevent us from growing? A wise Ethiopian friend of mine told me today that when just even a small amount of pain is present when giving, then we are truly giving. Most often we are simply discarding, rather than truly giving.

In Africa and other nations that are not focused on the constant acquisitions of goods, people can live happily with a few pieces of clothing, one pair of shoes, and a coat. They live in small spaces and focus more on gardens, kitchens, animals, caring for each other, building community, music and dance.

I cherish my time when I am visiting these countries, and often feel forlorn immediately upon returning home when I witness our thirst for the accumulation of goods. I miss the freedom to move about without continuous cleaning, organizing, and shuffling of things, and the necessity to own a house that can store all of these things.

So now I wish to see what will happen when I pass along items that are no longer of frequent use or an inspiration to me, but understandably might be to others.

I might be wrong, but I believe something will happen. With a lighter step and having less material goods, it just might be that I will be one of those faces flowing freely here and there per the wind’s whim.

Kurt Cobain

A Rally For Maternal Care in Uganda

He stands tall, towering over the ladies, yet his gestures are gentle. His smile comes quickly as he expresses his love for these women. We are here to listen to his song, hear his words and see dancers hop, shake and spin to the music he makes, all in the name of educating others about the devastating effects of fistula.

The women file into the room, their colorful dresses accentuating their inherent cheerful spirits. They are all fistula survivors, and they are here to help spread joy and encouragement to those who are still suffering from this condition. They have been here before, and they know the isolating despair they felt when they were leaking urine and feces down their own legs.

But today is a new day. They have been healed by the hand of a skillful surgeon and they are now participating in reintegration skill training at Terrewode, their programming funded by the Worldwide Fistula Fund, in the beautiful Soroti region of Uganda. Sewing, jewelry and basket making, bread baking: the products of all of these activities can be sold in markets and and is a way for these women to get back on their feet and feel productive once again. They are here to learn these skills, and also participate in a performance for us.

The African man suffers a generalized stigma that portrays him as typically uncaring, a tyrant who dominates women, marries them at an early age, and abandons them when when they become ill. While these things do happen across our globe, there is another side to this portrayal; concern for women by males in African countries also can be seen readily if one spends any time in villages.

Stephen Otim uses music to attract others to the joyful sounds heard in the distance. In various villages, people gather to see the colorfully clothed dancers and to watch the drama unfold before them. The message in the lyrics and in the dialog all centers around educating others to look for signs of obstructed labor and also to refer a loved one for care should she develop a fistula. Through music and drama, this group is removing the shameful stigma associated with fistula, and in its place they are helping men and women rally around the condition.

One by one, more men ask to become a part of the festive ensemble. They not only understand the issues surrounding maternal care, they feel a sense of responsibility and a surge of motivation to spread maternal health education further. Young men, old retired men, boys: they all want to be a part of this collective concern for their wives, sisters, mothers and daughters.

Each day, approximately 16,000 women die or suffer serious complications from causes related to pregnancy or childbirth. Every six seconds a mother-to-be experiences a life-threatening complication.

I think we all have some work to do.

Music heals, beckons and is a universal language that has no boundaries. Stephen picks up his thumb drum, smiles at my young Moroccan male assistant who has been busy setting up equipment, and says slyly “Would you like to learn how to play?”

(Update: I will be returning to Uganda in November 2015 to work on documenting the music and dance troop’s performances and to assist with an Oregon-Uganda goat milk soap making project. Donations for this work are greatly appreciated. Send us an email if you would like to hear more about these two projects. You can make a donation here. Specify “Soap Project” or “Music Project”)

 

Stephen Otim leads a music, dance drama team to tell stories, educate and instill hope about fistula

Stephen Otim leads a music, dance drama team to tell stories, educate and instill hope about fistula

Fistula survivors learn skills to enable them to earn money via the owenership of small businesses

Stephen Otim leads a music, dance drama team to tell stories, educate and instill hope about fistula (Soroti, Uganda)

Stephen Otim leads a music, dance drama team to tell stories, educate and instill hope about fistula (Soroti, Uganda)

WWF Uganda

 

View a video of the musicians and dancers in their village here.

 

Mary Ellen Mark: An Inspiration To Many

Mary Ellen Mark lives.

She is still examining between the lines of what we see and what we understand. The subjects of her portraits, her students, the people whose eyes she deeply sought and whose lives she intricately examined, know she is not gone. How could she possibly be far from our reach for influence?

Her voice lives on. Her love of the less seen and forgotten souls lives on. Her catch of nuance and unveiled thinking still moves us.

I will miss talking with her, yes. Seeing her braids. Hearing the jangling of her bracelets. Feeling the swish of air that arises from her swirling skirts when she walks by. Looking at her hands.

But she lives. She’s here. Her belief in humanity and resulting photographic images command a riveting attention like no other. How she moves us.

Maybe I finally will listen to her words of advice more so now since she won’t have to repeat those sentiments as often as she had to in the past. Sorrow blankets my heart. I can hear her voice, magnified.

No, Mary Ellen has not left us. She has only just begun to fill the world around us, and will do so for our future generations.

She just caught the light.

 

Mary Ellen Mark

Mary Ellen Mark

Mary Ellen Mark

Mary Ellen Mark

Mary Ellen Mark

Mary Ellen Mark

 

To see more images, follow this link:

www.jonikabana.com/clients/MEM

Login:         jkclients

Password:  jkclients12

To hear my radio interview on Oregon Public Broadcasting:  Remembering Mary Ellen Mark

 

I Love Pencils!

Something propelled me to get up from my desk during a day of tedious photo editing and invoicing, and walk to a local shop to get some pencils.  Here are my first attempts at making illustrations. I don’t know what I am doing, but I know it feels calming and settling when I draw with a pencil.

Sailboat in pencil

Peregrine Falcon in Pencil

Moroccan Man in Pencil

Spotfin Lionfish in pencil

Spotted Seahorse in pencil

First set of pencil supplies

The Market Workers: A Tribute

We are so very pleased to announce the launch of our beautiful little book The Market Workers, a loving tribute to some of the hardest workers on earth.

This book has been a labor of love for many years, starting when I first entered the market in Bahir Dar, Ethiopia and saw the tireless energy and positive mindsets of the market workers who work so very hard each day to bring food, clothing/textiles, spices and household wares to so many. From simple dinner tables to high end luxury hotels, these people make sure there is a ready supply of items that feed the body and soul.

This book could not have been created without the help from so many others. Enormous gratitude goes first and foremost to Lincoln Miller, owner of PushDot Studio, who labored over the files to get them to look colorful and lively, all with a consistent feel, even though the images were created over a three year time span. His talented and gracious wife, Dardi Troen, owner of Ditroen, worked with renowned educator and artist (and very good friend!) Kirsten Rian to create the look and feel of the design of the book and sequence the images. We could not select a cover image (this proved too difficult when I love all of the workers!) so the cover is a very simple black face with red/orange foil type.

Aida Muluneh, founder of the Addis Foto Fest, penned a heartfelt introduction to the book and coordinated an exhibit, and mentor and friend Mary Ellen Mark, who has had a huge influence on my visual heart and soul, wrote a special sentiment.

Words escape me when trying to articulate the gratitude I have for the assistance I received while in Ethiopia from my many friends there, from the city officials in Bahir Dar, and above all, from Habtamu, my trusty guide and friend who works in the markets in Bahir Dar, Ethiopia.

The printing was done by Brown Publishing, with astonishing results. The colors are deep and saturated, and skin tones are true to life.

Each book was lovingly crafted with a hard cover, the highest quality papers and flat lying binding. This is a very short run (only 200 copies) and many of them were given to people in Ethiopia (including the energetic market worker who coordinated the project within the market) when the book was launched during The Market Workers exhibition opening at the National Museum of Ethiopia last December.

Prints have been shown at Lightbox Gallery, PushDot Studio, Katayama GalleryThe Clymb headquarters, and have been included in many other international exhibits. Special gratitude to Laura Domela, for her painterly hand at post processing each image to appear lifelike. The sales of these prints offset costs that enabled this book to be published, so a sincere thank you goes to those who purchased prints.

Each book costs $40, plus shipping and handling.  All proceeds enable me to pay for the cost of producing the book, plus allows me to keep doing the work I do in Ethiopia.

Kindly email me to reserve a copy.

 

The Market Workers Book

The Market Workers Book

Behind the scenes of the Market Workers series: Bahir Dar, Ethiopia

Market Workers Lightbox Gallery

 

Copyright 2018 Joni Kabana. All rights reserved. Site by TD