Cheryl Strayed: An Unaltered Image

She breezes into the room, mustering something under her breath I cannot hear.  I watch her every move, each nuance, how she picks something up, the way her eyes flicker when she talks, the flow of her clothes, the curl of her lips as she greets me. She is a raised chalice of charisma, exuding the heart thumping charm of an awkward teenager about to enter the doors of their first school dance.

I can sense that her image is important to her, and that this photo session will not be one where she is not invested in its outcome. It is not her ego that is driving her, it is her anticipation. She knows what is about to happen in her life, how her world will change in a few short months, and there is a hint of desperation in her stance.

Success can be overwhelming, and for someone like Cheryl Strayed who works from her intuition outward, she is trying to brace for the wave that will certainly alter the course of her family.

This was my second time photographing her. The first occasion was when we made her author photograph for her newly released book, Wild. I had met her years before at a party on my street, and as I frequently do when I see someone I would like to photograph, I approached her and asked if I could do so. I never question why I want to photograph someone, i just go for it.

It took a few years before we finally got into the studio, coinciding with the time that she needed her author photo. She was not the easiest person to photograph, as she was difficult to “reveal”…..she held back from letting herself become free before the lens. However, I could see a heat, an intensity that ran so deep, and I took the time to find a way in. I was surprised, because Cheryl is known for her openness and exposure of self in her writing. But the camera can conjure up a whole set of feelings as we place ourselves center stage before the world. I understood this. I found this aspect of her to be utterly endearing, and a purposeful platform from which she could rely upon as she embarks on the notoriety that this book will surely bring to her. A bit of self consciousness and doubt are good antidotes for anyone who is a rising star.

As we got to know each other, she quickly let down her guard, especially when I asked her to scream foul expletives into the air. We collapsed in heaps of laughter as she spewed out word by word, randomly surfacing the most blatant in her mind. Click. I knew which image would make it to the top three, and I was not surprised when she selected it as her favorite for the book jacket. Exuding just the right tinge of sexuality with a splash of backcountry confidence, there she was in front of me: lovely, poised, certain and wild.  I saw the stray hairs that flew about, but I restrained from moving them. This was her, in all of her provocativeness. Let it be. Why alter that reality?

Now I was here to photograph her for the magazine, Poets and Writers. The specs were well defined, from typeset placement to locations to editorial vs portrait styling. I had a grand time with Cheryl in her home, poking into hallways and bedrooms and recessed living areas. My daughter was my assistant on this day, and we both marveled at how she can ignite a conversation with a deliberate focus of her yearning blue eyes, a tilt of her head and a deeply penetrating question.

When it was time to upload images to the magazine, once again, I was faced with a choice regarding how I would edit the images, as I retain rights to make those decisions. There was one photo in particular that was bothersome. During the shoot, I had failed to see a strand of blond hair that was twisted into a pattern that detracted from Cheryl’s face. It looked like a starburst, shot close enough to the camera that made what is referred to as a “hot spot” on the image. Glaringly white, it drew the eye downward toward its center. I agonized over this part of the image, kicking myself for not seeing it so I could have moved it into place where it would not have competed with her facial expression.

As I started to alter it in Photoshop, once again, I halted myself. This is who she is. Just because this is a rising star, photographed for a highly regarded magazine, why should I now foray into something I have long kept at bay in my work: the degradation of an authentic image just for the sake of so called beauty?

I decided to leave the starburst piece of hair intact as a testament to the miracle of photography. At times we capture something we never see while photographing the subject. This is the true delight of making images, when we, the photographers, are startled by something we did not know was present.

This starburst was something I could not have created myself. The more I looked at it, the more I saw how it was a symbol of the truth in Cheryl: although a rising star, the showmanship brilliance rests more upon her shoulders than in her soul. One can see quite quickly that Cheryl Strayed is all about the journey and not the destination.

Her star is shining now, with book tours and interviews and even discussions of larger events that will rock her world. But deep within her soul is where her truth rests, not within her stardom. If one looks past the dazzle of stardom and the bursting success that is now surrounding her, you can reach her soul through one look into her intentional eyes.

Imperfection is, after all, the gateway to sincerity.

 

Gallery Show: Natural Playground

My image of Kristen Ulmer, extreme skier and co-founder of the Ski To Live program, was juried into the “Natural Playground” show, juried by Corey Rich and Justin Gural at the Darkroom Gallery in Vermont.  Details can be found here.

This image was first published in Sports Illustrated For Women.

 

Workshops: Jock Sturges + Shelby Lee Adams

I was able to facilitate the arrival of Shelby Lee Adams and Jock Sturges into Portland to teach workshops at Newspace Center For Photography.  Both of them are masterful teachers.  They have an ability to not only teach photography skills and subject engagement, but each brought lessons in life itself.

My path has been altered greatly by each of them.

 

Portraits: Holy Goalie!

Imagine trying to wrangle a beast of a man into a position where he is sitting in front of a camera for an hour…and liking it. Adin Brown, the goalie of the Portland Timbers, came into the studio dead tired from meetings, endorsement sessions, and brutal practices. He had already canceled once, maybe twice when I think about it, and he wanted to be IN AND OUTTA THERE, super quick.

My friend and fellow photographer Sheldon Sabbatini assisted, and we both worked hard to entice him to stay a little bit longer…like, for an hour. He did.

And we loved it.

Mary Ellen Mark

It was a great honor to be able to spend time with Mary Ellen Mark in Portland this past month. She was an early influence on my approach to subjects, and I am in awe of the depth she establishes with the people she photographs.

(Chris Rauschenberg, Mary Ellen Mark, Me)


(Mary Ellen Mark with staff at Pro Photo Supply)

Queens Raise $5000 For Ethiopia

Our FUNraiser at Darcelle’s was a smashing success, and a total blast of a party.  The queens are amazingly talented, and we all did not want the show to end.  Here are a few snapshots from the evening, and check out Dr. Philippa Ribbink channeling Janis Joplin here.

Thank you, Darcelle’s!  We love you!

(Above photo by Michael Schoenholtz)

Mary Ellen Mark Workshop

Just coming off of a highly energetic, information filled weekend hosting Mary Ellen Mark’s workshop in my studio.  It was an absolute delight running around Portland with her, hosting a really fun dinner party, seeing her new Prom film at her lecture, eating late night dinners and having her class use our home as a base while street shooting on Sunday.

The participants’ work was nothing short of outstanding.  Truly was.

And she even scored a new camera and light meter at Pro Photo Supply!

I am missing you already, Mary Ellen.  And I look forward to working with you again very soon.

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