12th Annual Julia Margaret Cameron Awards – First Place + Honorable Mention

Two of my images placed in the 12th Annual Julia Margaret Cameron Awards: The Salt Workers (First Place, Landscapes + Seascapes) and Maasai Warrior (Honorable Mention, Portrait).

The Salt Workers image will be exhibited in Barcelona April 11-27, 2019.

The Salt Workers image was created while on assignment with Dignity Period and Oregon Health & Sciences University and is part of an on-going series of images depicting the salt workers in the Afar region of Ethiopia.

Maasai Warrior was created while on assignment with Maternity Africa and is part of a series of images created with the Maasai tribe near Arusha, Tanzania. This particular warrior was addressing his tribe regarding the dangers of obstructed labor for pregnant women.

Kaaterskill Fine Arts Gallery: Constellations

One of my images Jijiga, Ethiopia, created with my cell phone while on assignment with Mercy Corps in Jijiga, Ethiopia was part the “Constellations” exhibit at the Kaaterskill Fine Arts Gallery.

This show was curated by Robert Tomlinson and will run until September 9, 2018.

An exciting aspect of this show was that one of my long-time crushes, Steve Buscemi, attended the opening!

 

The Salt Workers

Continuing our celebration for astonishing yet under-appreciated workers of our world, we are excited to announce that the planning of a new book is in the conceptual stage under the working title “The Salt Workers of Afar.

This book will include portraits of Ethiopian salt workers and editorial images of their process of extracting salt from the hottest place on earth in the Danakil Depression, located in the Afar region of Ethiopia. Many stories have been written about this area recently including this article from the New York Times.

This book will be the second in a series depicting workers around the world. The first book focusing on market workers from Bahir Dar, Ethiopia was published in 2014.

Content for the book was obtained during several visits to the Afar region beginning in 2013. Most recently in February of 2018, a small team traveled to the area to set up a portable studio as part of a Prints For Prints project, donating photographic prints to each worker they interviewed. In addition to giving a cherished photograph to the nomadic workers, sunglasses were distributed which were donated from nursing home members in Coos Bay.

Events are planned to celebrate this nomadic culture, a tribe of people who shun modern tools and mechanization in favor of being led on foot by the sun and moon and shape their salt blocks by hand using ancient salt picks.

Current events are:

April 13-14, 2018, Where We Began: Night-time image video and sound projection on buildings in Astoria, Oregon as part of the IlluminART festival

August + September, 2018, The Salt Workers of Afar, print exhibit at Pushdot Studio in Portland, Oregon, reception August 2, 7-9PM

Contact us if you have questions or ideas about the project. We would love to hear from you!

Images from the Afar region of Ethiopia

Images from the Afar region of Ethiopia

Sources of Inspiration: Kendrick Lamar

Music plays an important part of my daily quest for creative flow and Kendrick Lamar currently tops the list. It was a humbling honor to be able to meet him in person in Amsterdam and thank him for his lyrics, his musical expression, and for a shared reverence of Ethiopia.

Kendrick Lamar

Kendrick Lamar

Cascadia 2018: The Homesteader

My image “The Homesteader” captured in Fossil, Oregon has been selected for exhibition in the traveling show, “Cascadia 2018“, opening at Crossroads-Carnegie Art Center in Baker City on April 6. The exhibition will travel to The Dalles in May and then to Corvallis in July.

What is even more exciting to me is that two other artists (Kristin Renzema and Nancy Smithman) who made images in this area during one of our workshops also were selected to exhibit their images.

Submission statement:

The goal of the exhibit is to interpret the authentic Oregon experience, and to challenge artists to look at the urban/rural divide through their lenses and show us stories about our similarities, rather than our differences. We chose the word “Cascadia” as a reference to the Cascadia Subduction Zone (or fault), which stretches the entire length of the Oregon Coast, as well as further north and south. It is this fault line that is the source of much of the volcanic activity that created the Oregon Landscape and the Cascades, which have traditionally been the dividing line of our state. In fact, it is a very long, sloping subduction zone that separates the Explorer, Juan de Fuca and Gorda Plates from the North American Plate — the Cascadia subduction zone is where the two plates meet, and it is at “Cascadia” where Oregon meets.

2_Kabana_Joni_TheHomesteader

Workshop: Environmental Portraiture

My Environmental Portrait workshops are up and running in the John Day River Territory, where I am spending more and more time while I am in Oregon. I can really see how this Eastern Oregon wilderness land has an effect of people, and I hope to be able to teach more in this area.

Class discussions are held at my remote cabin near the small town of Spray, but most of the hands-on training for this workshop is spent photographing people in the surrounding wilderness areas.

I have made a commitment to providing an immersion experience that focuses on “honoring the land/respecting the subject” while also enjoying great company, local fresh foods and delicious wines.

Each workshop accepts an extremely limited number of participants so that the group size is conducive for intimate exchange of ideas and nimble change of locations.

Follow along on my Instagram account for live stories and images during these workshops and throughout my on-going backroads exploration!

McKinsey

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