No Words

A wise gentleman friend I am just getting to know visited me last night to gather around my table to share in a comfort meal of meatloaf made from local beef and potatoes and lettuce from the local mercantile shop. He brought me gifts in many forms: hot cereal made in small batches by his friend who is a local seed scientist, a small bag of oat flour milled nearby, a DVD he said I must watch and a CD he said I must listen to, two newspaper articles (one was an op ed he wrote about rural collaboration) and a tattered brochure he carried while visiting and hitchhiking in Belize last week.

He counts 76 years that he has lived on this earth, 45 of them at his ranch near my cabin. Prior to arriving here as a young man, he taught film-making classes in Boston. We chatted about many things, with all threads trailing back toward observations of the world around us and creating art from it.

For some reason, when has asked to see some of my photos, he was shaken by this portrait which has been buried in my image folder from an assignment in Tanzania. He asked me to enlarge it on my screen over and over again. He demanded that I look at it, close the file, and look at it again.

I understand what he is saying to me, without the use of any nomenclature. With the last display, he excused himself and went into a side room and kept murmuring something I could not hear. And I didn’t need to.

Oregon Ballet Theatre: Dancer Portraits

I love when I get to be inside the walls of Oregon Ballet Theatre’s building and watch the heat and fury that arises from the dancers as they practice. It takes enormous focus and energy to perfect those twists and turns and leaps, and to be able to witness trial after trial until they reach their aspirations is a wondrous sight.

I was there to make dancer portraits, and even though they came right from brutal practice to sit before my camera, they each faced the lens with authentic passion in their eyes.

Oregon Ballet Theatre dancer

Workshop: Environmental Portraiture

My Environmental Portrait workshops are up and running in the John Day River Territory, where I am spending more and more time while I am in Oregon. I can really see how this Eastern Oregon wilderness land has an effect of people, and I hope to be able to teach more in this area.

Class discussions are held at my remote cabin near the small town of Spray, but most of the hands-on training for this workshop is spent photographing people in the surrounding wilderness areas.

I have made a commitment to providing an immersion experience that focuses on “honoring the land/respecting the subject” while also enjoying great company, local fresh foods and delicious wines.

Each workshop accepts an extremely limited number of participants so that the group size is conducive for intimate exchange of ideas and nimble change of locations.

Follow along on my Instagram account for live stories and images during these workshops and throughout my on-going backroads exploration!

McKinsey

Vista Capital Portraits

I love working with teams of people to make portraits for their website and other promotions. Here is a snapshot of portraits from one company I especially admire, Vista Capital Partners. Each staff member brings a unique personality to the table, yet they form a very cohesive and friendly group.

We scheduled the portrait sessions in the Rose Garden last month so that a bit of greenery was included in the background, which represents many of their offerings. Quite a departure from their previous stark white and square portrait layout!

 

Vista White

 

 

Vista Green

Mary Ellen Mark: An Inspiration To Many

Mary Ellen Mark lives.

She is still examining between the lines of what we see and what we understand. The subjects of her portraits, her students, the people whose eyes she deeply sought and whose lives she intricately examined, know she is not gone. How could she possibly be far from our reach for influence?

Her voice lives on. Her love of the less seen and forgotten souls lives on. Her catch of nuance and unveiled thinking still moves us.

I will miss talking with her, yes. Seeing her braids. Hearing the jangling of her bracelets. Feeling the swish of air that arises from her swirling skirts when she walks by. Looking at her hands.

But she lives. She’s here. Her belief in humanity and resulting photographic images command a riveting attention like no other. How she moves us.

Maybe I finally will listen to her words of advice more so now since she won’t have to repeat those sentiments as often as she had to in the past. Sorrow blankets my heart. I can hear her voice, magnified.

No, Mary Ellen has not left us. She has only just begun to fill the world around us, and will do so for our future generations.

She just caught the light.

 

Mary Ellen Mark

Mary Ellen Mark

Mary Ellen Mark

Mary Ellen Mark

Mary Ellen Mark

Mary Ellen Mark

 

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To hear my radio interview on Oregon Public Broadcasting:  Remembering Mary Ellen Mark

 

People Of Afar

Words fail me when I try to express how deeply I was riveted by the people I met in the Afar region of Ethiopia.

Living a nomadic lifestyle, they are exceptionally beautiful, hyper aware of surroundings, and also attentive to adornment.  There is a grace and fortitude they exude that is haunting.

They live in the land where mankind began.

Young Boys From Afar

Young Girls From Afar

Afar Man and Girls

Exhibit: The Art Of Photography 2013

My image “The House Maid” was selected to be in The Art Of Photography 2013 exhibit curated by Julia Dolan and will be exhibited online here.

This exhibit had 12,961 entries from 84 countries, and 201 pieces were chosen.  I am very happy that the image they selected represents the beautiful people of Ethiopia. This image was taken in a small village called Sheno, about an hour away from Addis Ababa.

The opening reception is October 12, 2013 in San Diego, and the show will run until November 17, 2013.

 

The House Maid

 

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